I've made substantial strides on the next full-length, which is a concept album, if only loosely. It is typical of me, though, after leaping forward, to reflect a bit. At the moment my retrospection is fixed on the piece of music I'm most proud of from my last album. It's actually part five of five... Continue Reading →
My last album, Best Dead Masterpiece, treats nostalgia as a largely positive thing. A thing that is prized and hoarded. A shard of personal history, of individuality, stubbornly preserved. A robust and colorful way of seeing, the absence of which makes someone appear small-minded and dull. As is typical of me, I am now beginning... Continue Reading →
Here it is, Everyone. The culmination of almost 18 months of work from composition to release. Like most of my material, it's not a happy album, but a cathartic album. I heard someone use the term "vent art" the other night, and this might be that. I have also become fond of calling what I... Continue Reading →
[In September 2020, I began a series of blog entries discussing the themes and inspirations of my dark chamber-pop album Best Dead Masterpiece, scheduled for release on BandCamp in January 2021.] Well, Everyone - there have been some unforeseen delays, but the album should be out in the next few days. So this will be... Continue Reading →
[In September 2020, I began a series of blog entries discussing the themes and inspirations of my dark chamber-pop album Best Dead Masterpiece, scheduled for release on BandCamp in January 2021.] Before anything else I ought to say this: to my knowledge I have never been personally acquainted with any young men that have perpetrated... Continue Reading →
[In September 2020, I began a series of blog entries discussing the themes and inspirations of my dark chamber-pop album Best Dead Masterpiece, scheduled for release on BandCamp in January 2021.] (I strongly encourage you to pull up Lambchop's Wilco cover, "Reservations", and listen to it while reading this entry.)I've always been intrigued by unconventional... Continue Reading →
Don't have much time tonight... though I've got a long weekend coming up, so it won't be long till another post on the thinking behind the upcoming album. For now, I'll just mention that all album tracks are currently in the hands of longtime engineer and producer Bryan Walthall of Studio Image Recording in RVA,... Continue Reading →
Hello to anyone new who might lately have stepped into me… you know, like an unseen hole in the yard you sprain your ankle in, or a mud puddle that's a little sloppier than you bargained for. I've been meaning to start a series of posts exploring different conceptual elements of the upcoming album. I... Continue Reading →
The Sold Kingdom 