[In September 2020, I began a series of blog entries discussing the themes and inspirations of my dark chamber-pop album Best Dead Masterpiece, scheduled for release on BandCamp in January 2021.] Well, Everyone - there have been some unforeseen delays, but the album should be out in the next few days. So this will be... Continue Reading →
[In September 2020, I began a series of blog entries discussing the themes and inspirations of my dark chamber-pop album Best Dead Masterpiece, scheduled for release on BandCamp in January 2021.] Before anything else I ought to say this: to my knowledge I have never been personally acquainted with any young men that have perpetrated... Continue Reading →
[In September 2020, I began a series of blog entries discussing the themes and inspirations of my dark chamber-pop album Best Dead Masterpiece, scheduled for release on BandCamp in January 2021.] (I strongly encourage you to pull up Lambchop's Wilco cover, "Reservations", and listen to it while reading this entry.)I've always been intrigued by unconventional... Continue Reading →
Don't have much time tonight... though I've got a long weekend coming up, so it won't be long till another post on the thinking behind the upcoming album. For now, I'll just mention that all album tracks are currently in the hands of longtime engineer and producer Bryan Walthall of Studio Image Recording in RVA,... Continue Reading →
Hello to anyone new who might lately have stepped into me… you know, like an unseen hole in the yard you sprain your ankle in, or a mud puddle that's a little sloppier than you bargained for. I've been meaning to start a series of posts exploring different conceptual elements of the upcoming album. I... Continue Reading →
The Sold Kingdom 