“Wise Up” Demo

Consider this an epilogue to the last entry. Been listening to a lot of Aimee Mann this weekend; to me she's always been the sound of stiffly picking yourself up after a fall. (Photo: My new and improved jars - see yesterday's entry to get what I'm on about. Note: I usually have a distaste... Continue Reading →

Identity Matters.

A couple reflections on the delicate thing that is self-perception. Since I began wearing wigs for universal autoimmune hair loss in 2017, I have consistently maintained a strict visual delineation between my work self and my, shall we say, unshackled self. Yes, there are practical reasons that one’s work wig of choice might be plainer,... Continue Reading →

Something New, Something Old

The day following the completion of an artistic product is always weird. You wrestle with yourself over which new path to chase down next, which can result in a good deal of starting and stopping. What I ultimately landed on today was a plentiful lot of file management, to prepare for finally losing the home... Continue Reading →

Best Dead Masterpiece.

Here it is, Everyone. The culmination of almost 18 months of work from composition to release. Like most of my material, it's not a happy album, but a cathartic album. I heard someone use the term "vent art" the other night, and this might be that. I have also become fond of calling what I... Continue Reading →

We Need to Talk about Tori Amos.

My sound engineer sent me the mastered tracks for my review this weekend, and all is a go. So it is possible the full-length album, Best Dead Masterpiece, will be up on BandCamp before the end of this coming week, marking the end of an undertaking that started in - hard to believe now -... Continue Reading →

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